Images right out of the news. LEFT: Times Square in the aftermath of the superflu epidemic. RIGHT: “Bring out your dead,” wails Kareem Abdul Jamar as “The Monster Shouter” in Stephen King’s adaptation of his own novel, “The Stand.” The book was originally published in 1978 and the DVD was released earlier this year.

 

 

 

 

 

 

 

 

 

 


An essay / DVD review of Stephen King’s “The Stand”

 

by Michael F. Nyiri,

 

 Inspired by a need to quell my fear and agony inherent in trying to adjust to a world so easily subject to biological warfare, a subject dealt with in Steven King’s monumental novel, and miniseries, “The Stand.” Which begins with a single person escapes from the government lab testing the  “superflu” virus when it first gets out in the air.

 

 

I guess we’ve all been thinking about anthrax lately, and what it means if things get anymore out of hand than they seem to be already.  In anticipation for the worse when the number of people who had been subjected to the anthrax bacteria ticked up to twelve the week of October 14th, I put on a copy of the DVD edition of Stephen King’s “The Stand” on Sunday, and thought it really gave a great impression of what life might be like during the end of the world, and the subsequent last stand on Earth. The book was written by King in 1978, and made into a mini series in 1994. The DVD has been available for some time, and I watched it for the second time on DVD this last weekend. I meticulously taped this mini (editing out the commercials) when it originally aired, and have watched the mini about 15 times since. I’ve read the King novel twice, when it originally was published, and when the expanded edition was published in 1989.

 

“The Stand” is a vast tapestry of a novel, which deals, in the first vivid and horrifying scenes, with the outbreak of a Superflu, developed as a biological weapon in a remote government lab.  A guard at the lab, alerted to the disaster, and the sight of the dead technicians in his monitors, is supposed to close down the facility. Instead he, and the flu, escapes. This domino is the first of many that will be set one against the other, as the reader is introduced to about ten major characters, who will connect, disconnect, and reconnect, as the only survivors of the outbreak, who are fated to begin a final stand for humanity, with the forces of good, characterized by an elderly black woman, and evil, by King villain Randall Flagg, also known as the devil to some…….. engaged in the final battle.

 

The flu spreads quickly, but spares many souls, some who will turn to good, and some to evil. We are introduced to these, the novel’s characters, in vivid scenes from their disparate lives, and then we see how they, and how we, might, have to cope with the prospect of a world methodically being ravaged by a biological bacteria, bred to kill, just like anthrax, which has had me “shaking in my boots” since hearing of the outbreak at NBC in New York on October 12.

 

The novel’s leisurely, well written, and horrifying yarn encompasses a large amount of characters determining the final outcome of mankind against the backdrop of a ravaged America, filled with rotting corpses who fall where they die. The final tale is that of the survivors, their choices, and the eventual outcome. The book is a broad mythology, and the third act didn’t hold me like the first, which deals with “The Plague”, the actual vision of how the world ends, until the second reading.

 

The DVD is mastered on one disc, yet contains the complete full screen NBC miniseries from 1994. The image quality is sharp and the sound is well done, although my copy has occasional “floating pixilation”.  Mick Garris (who directed the miniseries of King’s “The Shining” (not the Kubrick movie) and the theatrical adaptation of King’s “Sleepwalkers” and some Tales of the Crypt and Freddy’s Nightmare television episodes, does a credible job of framing the fullscreen images, and always composes his shots magnificently.

 

As I prepared to send the incomplete “review” up to the web for the second time after writing some more, I noticed, on October 17th 2001 at 10pm pdt, that the number of people testing  positive for anthrax was up to 26. An epidemic could spread, just like the superflu. Personally, I am ready for all life gives me, and I’m not altogether “frightened” of dying. I came down with a cold last weekend, and despite the presence of the “anthrax scare”, the cold didn’t last long, but it sure felt weird watching this mini again at this particular time and under these circumstances.

 

 

One of the first casualties, a technician in the underground biological weapons testing laboratory.

 

 

 

 

 

 


In both King’s novel, and in the miniseries, the government (which released the plague in the first place) first rounds up all those who first spread it, then silence and hide the bodies of the mounting dead to keep the populace in the dark about what is really happening. By the time the world “finds out” the government and most of humanity is dead, and the only ones left, to clean up and to fight to the finish, are the survivors.

 

Gary Sinese is Stuart Redmon, who will be a leader of the force for good, but is merely one of the Texan good ol boys at Hap’s gas station, hanging around, when the car belonging to the dying guard crashes into the pumps. Among the first to be rounded up by the government, who try to cover up the deadly mistake, Stu spends most of the first part of the first chapter in the Center for Disease Control, as a guinea pig for the dying scientists.

 

Gary Sinese is Stu Redmon, a no nonsense, practical Texan who is among the first people to be exposed, and rounded up by the government.

 

 

 

 


Molly Ringwald, who has been underused in movies since she stopped making those John Hughes movies in the eighties, is suitably naïve and beautiful as Frannie Goldsmith. Each character in the book, and in their introduction in the miniseries, is a fully fleshed human being, and the acting is top notch. Mick Garris is not a very well known director, but can be called upon to envision a world as seen by the warped imagination of Stephen King, who has been known in the past to condemn video and movie versions of his novels.

 

Molly Ringwald stars as Frannie Goldsmith, of Ogonquit, Maine, whose idyllic exsitense is destroyed when the flu hits her home, but later finds she is the fulfillment of an age-old prophecy.

 

 

 

 

 


There is a “blue eyed soul singer” in New York, in the person of Larry Underwood, played by Adam Stoark. With each little vignette introducing another of the major characters, the setting, usually photographed on location, and the situation, is frightenly familiar, and serves to make the audience truly care for these people. The collective feeling is of watching the world slowly choke on it’s own pleghm, and we are right there with the protagonists.

 

Larry, Frannie, Stu, and a host of others, will soon be given their “marching orders” by Abby Freemantle, played with rare gusto by Ruby Dee as the “godhead” or “good” figure. As the tapestry unfolds, each character is brought together with others, as the main “chosen ones” gather small bands of humanity, and travel to Boulder, Colorado, where the forces of good will create society again.

 

Adam Stoark, who was an unknown when the series was made, and still is, to the best of my knowledge, does a credible job portraying “blue eyed soul” singer Larry Underwood.

 

 

 

 

 

 


The commentary track on the DVD is supplied by members of the cast, director Mick Garris, and screenwriter Stephen King himself. King outlines the theme behind his mammoth work in a very erudite and informed manner.

 

“As people are becoming infected, the government is becoming aware that their dirty little secret is out there and it’s killing people. Their first concern is not stopping the plague or helping the people but rather covering the whole thing up.

 

“The crucial element in the early part of the story is that the government would try to cover this up rather than to put out a public response saying there is a problem we have to face.”

 

 

The always wonderful Ed Harris plays General Starkey, in charge of the government cover up, who ends up questioning his commitment to insanity in the face of a global meltdown of propriety.

 

 

 

 

 

 

 


An uncredited Ed Harris is the “voice of the government” and goes so far as to assassinate members of a TV news crew who know too much. In the end, though, no amount of coverup is going to work, and soon the government perishes along  with everybody else.

 

Everybody, of course, except those chosen to choose both sides of the standoff.

 

I always thought Rob Lowe could be a pain at times, but as Nick Andros, a deaf mute who can “speak” to Abby when called for, performs in a way I have never seen. He actually “acts” in this miniseries, and gives some clever insights into his characterization on the commentary track. His is one of the major parts in the book, and in 1994, I almost thought his presence would ruin the mini. After watching this repeatedly, however, I must say that his acting is thoroughly captivating.

 

 

Rob Lowe plays Nick Andros, a deaf mute in a small town who confronts his tormenters and survives the flu, later to become an integral part of the force for good.

 

 

 

 

 

 


I have basically only begun the explanation of the plot, and the introduction of the characters. Of mention are Ray Walston, Miguel Ferrar, Laura San Giacomo, Corin Nemec, and Jamey Sheridan as Randall Flagg, one of King’s most insidious villains, and another benchmark performance in the miniseries.

 

The DVD, while only on both sides of one disc, unspools the complete miniseries, which lasted about a week if I remember correctly. The best scenes, as mentioned, are those which detail the first days of the superflu epidemic, when, as the tagline to the mini proclaims, “The end of the world is only the beginning.”

 

One really gets the sense of what a massive biological attack could cause, and this seems like a rather prescient and disturbing miniseries in light of current events.

 

Randall Flagg, played by Jamey Sheridan is one of those guys you just love to hate. He is charming, has a great sense of humor, and is the very personification of evil.

 

 

 

 

 


“The Stand”, my favorite book  by Stephen King, is also one of the best miniseries ever filmed. The production design, acting, direction, and most importantly the script, are all first rate, and this is a well mastered title as well.

 

I hoped for more features, and perhaps there will be a more comprehensive offering with stills and documentaries in the future, but for now, this is an A title DVD.

 

MIKOMETER RATING: 10 of 10

 

See it before anybody else inhales anthrax. This is a chilling title for a chilling time.

 

MFN 10/14 and 10/21 2001

 

 

 

"Stand, The" (1994) (mini)

 

 

 

Cast Details and links are from imdb.com, the Internet Movie Data Base. Here is a link to the expanded cast and credit page from Imdb.com.

 

 

 

 


Gary Sinise

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Stu Redman

Molly Ringwald

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Frannie Goldsmith

Jamey Sheridan

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Randall Flagg

Laura San Giacomo

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Nadine Cross

Ruby Dee

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Mother Abigail Freemantle

Ossie Davis

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Judge Richard Farris

Miguel Ferrer

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Lloyd Henreid

Corin Nemec

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Harold Lauder

Matt Frewer

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Trashcan Man

Adam Storke

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Larry Underwood

Ray Walston

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Glen Bateman

Rob Lowe

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Nick Andros

Bill Fagerbakke

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Tom Cullen

Peter Van Norden

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Ralph Brentner

Rick Aviles

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Rat Man

 

 

The cast links and movie link above are to the Internet Movie Database entry for the title.

 

 

Full Cast and Crew, courtesy IMDB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

All of the images accompanying this article/review are captures taken from the DVD itself, and adapted in the MGI  Videowave and Micrografx Picture Publisher software. The DVD is copyright 1994 Republic Pictures Home Video. All the images taken from the mini are copyrighted images.